Shock Absorbers

I used this exercise a couple of times last week with various clients. It’s a bit of a brain teaser, but helps to improve the arm position.

We all know that there should be a straight line from the horse’s bit, through the wrist, to the elbow, which hangs below the shoulder. Easier said than done and many people ride with too straight an elbow.

The first client I introduced this concept to has very tense arms, and her go-to position is to lock her arms when she’s nervous. So we’ve done a lot of work on keeping the wrists soft and not braced, working on the lunge without reins, building her confidence so that she’s not as inclined to “hold on” with her hands.

So the overall picture is getting better, but because this rider has a tendency to lock and stiffen her arms, the elbows don’t act as shock absorbers and subsequently her rein contact and hand position isn’t very consistent.

Still looking hands are the ideal, but the only way to create the illusion of having still hands is to have them so that they follow every movement of the horse. In order to do this, the elbows need to absorb any movement. After all, holding something rigidly still gives the impression of a stream flowing around a large rock.

As we all know, jumping and landing with our knees straight causes a jarring feeling through our body, and the only way to avoid jarring yourself is to land with your knees bent slightly. Knees are hinge joints, the same as elbows, so in order for the elbows to be shock absorbers they must also have a bend to them.

For riders who struggle with carrying tension in their arms, it is important to introduce some movement to the arms. But obviously it needs to be controlled movement and to go with the movement of the horse and rider.

Take rising trot, beginning with the arms in the classically correct position. As you stand up out your stirrups, push your hands down; as you sit down, raise them up. It’s a bit like rubbing your tummy and patting your head but once you get it it’s fairly straightforward.

Initially the movement wants to be quite exaggerated, especially as it feels quite alien to the rider. But after riding it for a few circuits you will find that when the rider thinks of another exercise or movement they will stop actively opening and closing the elbow, but because the arm is relaxed and movement has been introduced the elbow will open and close slightly, thus acting as a shock absorber and giving the illusion that the hands are perfectly still. Then because the hands and arms are moving perfectly with the horse, the contact will remain consistent.

My client with tense arms understood the concept well and it was good to see the elbows starting to work properly after moving them as she rose, but we need more practice in getting her to move her arms so that she doesn’t rapidly adopt the locked arm look. 

I find this exercise is also useful for anyone who struggles to hold a consistent contact as it improves their feel and awareness of their hands and arms; and it’s also very good at relaxing riders who maybe need their brains focused on something rather than their environment. 

A Daunting Task

I taught a very daunting lesson earlier this week with a guinea pig rider.

She entered the arena with a rather snazzy looking Spanish horse, bedecked in a double bridle. 

The rider was very confident, as she was legged up onto the jogging mare. I made the necessary enquiries to tick the box:

  • What’s the rider’s name, riding experience, qualifications, medical history.
  • What’s the horse’s name, experience, history and medical history.
  • What was the horse and rider relationship.

This girl was a Stage IV rider and this was her new horse, recently come over from Spain. It could do all the lateral movements but didn’t have a competition record.


What on earth should I teach them?!

I admit, I felt slightly out of my depth. I take a while to get into my groove, especially with confident riders because I get a bit intimidated. The horse was also a far higher calibre than I’ve taught before.

I started the session by watching them warm up. It gave me time to think. The trot was choppy and short striding; the canter was bouncy and tense and this rider said that whilst the horse didn’t feel like she was going to bolt, she was strong. The mare tried to evade the contact by tucking her nose to her chest. The rider had a good balanced position, and secure lower leg. If I’m going to be really picky, she was a bit collapsed in her upper body, and had a tendency to fix her hands.

I had a plan. Despite the horse’s high level of training, there were some basic elements that we could improve. Equally though, the mare was hot and quick thinking, so needed to be kept mentally stimulated. 

I explained to my rider that I felt we should work on relaxing the mare, and getting her to take the contact forwards, instead of tucking behind the bridle. As the mare was a busy type, I suggested we used leg yield to get the mare stepping under with her inside hind leg and taking the contact forwards. Our focus being on the neck staying long and the mare relaxing.

We started in walk, and immediately it was obvious that the mare is very talented with an extravagant crossover. She easily leg yielded from the three-quarter line to the track. However, as with any big mover, she had the tendency to escape from her rider – in the leg yield the rider tends to lose her outside shoulder. 

Once we moved into the trot the loss of the outside shoulder was more noticeable, so I brought my riders   attention to her outside rein contact, making sure it prevented too much inside flexion and supported the outside shoulder. Then I highlighted how she was pinning her inside rein by the wither, so encouraging the mare to turn to the inside and fall through the outside shoulder. As soon as that hand was carried forwards the leg yield improved because they were straight. Then we turned our attention to keeping the trot rhythm consistent through the movement.

After working on both reins I felt there was a slight improvement; the rider was more in tune with the horse, who was starting to lengthen her neck and was moving laterally in a more relaxed manner.

I didn’t want to work on the canter – no need to over complicate matters – so we moved on to zig zag leg yielding. This was to ensure the mare wasn’t anticipating going from the three-quarter line to the track, and was responsive to the riders outside leg. The rider also had to make more subtle aids and change her position slowly as she changed direction so as to help maintain their balance. We talked about which direction was easier: the left leg yield was more extravagant but felt less controlled, than the right which had less crossing but was straighter and with no rushing. 

By the end of the session I felt the mare was much improved, with a longer trot stride, and more relaxed and consistent in her frame. I did mention to her rider about trying her in just a snaffle bridle to establish a consistent contact, and to get the horse seeking it more, but I think as it’s early days in their relationship it might be an exercise for the future. This rider gave me positive feedback, and seemed to understand the lesson concept and reasoning behind it, so hopefully I’ve helped her. 

Now that I’ve been thrown in the deep end, and managed to survive I actually reflect on that lesson in a positive light, and would quite like to teach this pair in the future.

Tack Fitting

Two horses I ride had saddles fitted earlier this week. It always amazes me how changing tack or rebalancing it can have such a drastic effect on a horse’s way of going.

The saddle on the first horse has dropped so I felt like I was tipping forwards. We thought the flocking had settled, which it had, particularly on the left, but when we put the other horse’s saddle on her it actually sat better. I rode in it and couldn’t believe the difference. Where her shoulders were now freer she settled immediately and felt softer over her back and more forwards in the trot. Her canter is always uphill, but the real difference I noticed was in the trot. When she gave one of her humongous spooks the saddle didn’t move either, which is always a good sign. The saddler told me at the time that sometimes a badly fitting saddle can cause a horse to spook again because of it moving as they do the original spook. 

When I rode her a couple of days later I found her much better: the direct transitions were more forwards, and shoulder in seemed to click, with the inside hind really coming under and her inside hip lowering as she put the weight into it whereas usually she tries to just turn her neck and load her shoulder. Her trot to halt transitions were also less on the forehand as she seemed to find it easier to step under. 

Back to the saddle fit. With the second horse, who no longer had his saddle, I tried three different saddles on (including the reflocked one from the mare) and his reactions were very interesting. He has been a bit tight recently on the left rein, blocking in his back and resisting the bend, especially in left canter. When I asked him to trot in the first saddle he humped his back and resisted. I did manage to have a trot and canter, but he didn’t feel happy. Then I tried the second saddle on, and he trotted off immediately into this easy trot in a long and low frame, something which usually takes a while to achieve. Left canter felt easier, and he felt freer in the shoulders. He even gave me a flying change. Granted, I hadn’t asked for it, but the fact that he felt able to showed to me that he liked this saddle. 

Finally, I tried the reflocked saddle. From the first transition into trot I knew he didn’t like this saddle as much as the previous one. He was a bit tight and resistant, but far better than the first saddle. So we opted for saddle number two, and so far I’ve felt that he’s far more rideable and comfortable in it.

This week really drove home to me the importance of having saddles fitted correctly to your horse. But what about fitting tack to the rider? 

Just as horses have different conformations, so do humans. And riding is an inclusive sport, which means people of all heights and shapes can participate. So tack needs to be available to suit everyone.

I’m blessed with average proportions, which means that I am comfortable in the majority of saddles. But I have some long legged friends, who find it uncomfortable to jump in a GP saddle because the saddle flaps don’t accommodate their long thighs. Which means they either need jump saddles or specially made saddles with long flaps that fit the rider as much as the horse.

If you think of a 16.2hh horse, perhaps an eventer, they could be ridden by either someone of William Fox-Pitt’s stature, or me. Now I’ve stood next to William F-P and I barely reach his elbow. So a saddle can be found to fit the horse, but you can guarantee it won’t suit me and William. Which is why it’s always important that the person riding the horse for a saddle fit is the main rider. 

My Mum told me of her friend’s daughter who wasn’t doing that well out competing, but was told that her saddle didn’t fit her very well. A new saddle later, and they’re winning everything! 

I know you can say that a bad workman blames his tools, but when things aren’t going so well or there’s been a drop in performance, it’s definitely worth getting the saddle checked so that it doesn’t inhibit the horse’s way of going, or hinder the rider’s position and balance. I’ve been really pleased with how both horses this week have felt after have their saddles adjusted – much freer in their shoulders and softer over their backs and necks. 

My New Secret Weapon 

I don’t clean my tack on a daily basis, but when I do sit down to clean it I like to do a thorough job. At one yard I go to, I swear there are tack cleaning fairies, because the tack is always immaculate.

I always notice that Matt’s tack always feels very clean, even if it hasn’t been cleaned for a week. It also never feels clogged up with products. No matter what I do, my tack never feels quite so soft and supple.

So when I was getting organised for the champs I casually hinted to Mum that I’d be cleaning tack on Friday evening when she arrived … and if she wanted to help she was more than welcome.

She came prepared. And boy does she go the whole hog.

First of all we took the tack apart and wiped it over with a damp, sponge. Then we sprayed each piece of leather with Belvoir Step 1 tack cleaning spray. Mum thinks this is good at degreasing the tack and I was surprised at the benefits of it.

I used to use the spray tack cleaners, but I then converted to good old saddle soap and elbow grease, which I felt cleaned the leather more deeply than the spray. But perhaps that’s because the spray encourages you to cut corners…

Anyway, next we applied the saddle soap and elbow grease. 

Finally, came Mum’s secret weapon. She brought out this tin of Belvoir leather balsalm.

We applied it fairly liberally to all the tack (I had to stop her getting carried away on the reins) and after a few minutes wiped any excess off and gave it a buff.

Voila! The tack felt soft, supple and very clean. Even better, Mum forgot to take the balsalm home!

Tonight I finally got around to strip cleaning Otis’s tack; yes I know it’s been a few weeks but work, Easter holidays and life got in the way. I skipped the tack spray step as I didn’t have any, but I have to say that the tack feels much better than the last time I stripped and oiled it. I’ll have to do his jumping tack next which, despite being thoroughly cleaned in September and sitting in the office all winter, doesn’t feel that great. 

So when you run out of saddle soap and pop to the tack shop, try the balsalm and see how you get on with it. I’ll definitely keep using it.

Under Pressure 

I did many walk road hacks last week as it seemed to be physio week at the yard, and on one of them my friend accompanied me on her loan horse.

As we mooched through the village, moaning about the driver who had undertaken us as the horses spooked, our conversation turned to horses and claustrophobia.

She told me that since she’s taken this horse on she has loosened his nose and by two holes and his flash by three. As a result she’s finding that he is less resistant and more consistent to the rein contact, and isn’t fixing his brachiocephalic muscle against the hand, which is causing him to carry himself more correctly. He has largely stopped snatching his reins and twitching his head whilst being worked.

From this we moved on to how horses are, by nature, claustrophobic animals – they are prey animals so need space to flee from predators. Hiding in a cave won’t allow them to use their long legs and speed to outwit the predator; they will have to fight.

We have domesticated horses and expect them to face their fears on a daily basis: live in small paddocks, stay in stables, wear constricting rugs and tack. But where does this leave us?

With behaviour problems, of course. Like my friend’s horse, they could develop a little vice, which in the grand scheme of things is not life changing, but it will limit their ability to succeed in competitions.

Last year for example, Mum bought Matt a larger browband and found that he was immediately more relaxed and not shaking his head so much – the pressure around the base of his ears had gone.

We all know horses who don’t like travelling in partitions, or small dark stables, and it’s not surprising given the contrast to their natural habitat, but we continue to force these situations on them. Most horses accept and adapt, but one mare I ride hasn’t. She won’t stay in a stable, and whilst she tolerated travelling in Otis’s trailer without the partition, she panicked when put in a lorry and had the partition closed. Additionally, when you ride her in the school on a long, loose rein she meanders past jump blocks, swaying nettles, without fear but as soon as she feels constricted with the rein contact, however light, she begins spooking at anything and everything. It takes a very sympathetic hand to be able to take the contact but not cause her to feel closed in. She is getting better though, so I only hope that frequent work with a light contact will teach her not to fear it. 

I would love to put her in a paddock with a very large field shelter so that she could gradually learn not to fear smaller spaces, because her level of claustrophobia actually limits her life – she has to live out in all weathers and she can’t go out competing. I don’t know what has happened in her past, but it does make you wonder.

Have you ever been riding a horse who is getting upright and tense, so you shorten the reins and pull, trying to slow them down or stop the jogging? Then someone says “drop the reins” and as soon as you do so the horse stops jigging? By holding on tight, which is our natural reaction, we are adding to the horse’s fear because he feels he cannot flee, and must fight the predator.

It was a really good conversation to have, and makes you reassess everything about your horse’s lifestyle, just to make sure that you aren’t causing him any claustrophobia – by having tack too tight, or holding on very tight to the headcollar when leading him in, or even riding in a constricting style. See if you can think of any changes to make!

A Change of Tack

I`m not a huge fan of changing tack; wearing a particular type of bit because everyone else is, or having coloured stirrups because all showjumpers have them, or having a martingale because you`re jumping, when your horse doesn`t need one. But there is a huge variety of tack out th

But recently I made a change to that tack of one of the mares I school. She can be behind the leg yet also has quite a lot of attitude so she`s not the easiest to ride. However, once on your side and focused she can work very nicely. I usually begin each session by trotting and cantering on a light but consistent contact (she`s far more resistant to the hand if she works on a long rein initially, so I like to make sure she`s aware of the rein and hand from the beginning) and I use upwards transitions to get her off the leg and moving forwards.

Now that her work is coming together and feeling more consistent I`ve been fine tuning aspects of her way of going and most recently been working on the quality of the transitions.

The downward transitions are her real weakness because she tends to tip onto her forehand, and forget about her hindquarters, which means that she can`t push off into an active gait, which puts her onto the forehand and so the cycle repeats itself.

Now I`m sure you are wondering what this has to do with tack? Quite a lot really. I played around with the transition walk to halt, adjusting the weight of my aids to try to improve her. I found having a light seat encouraged her to keep her hindlegs underneath her a bit more, the leg lifted her up to the halt, but regardless of how little hand I used she still set her brachiocephalic muscle, gaped her mouth wide, and started twisting her head to gaze around her. Once I`d established that her behaviour wasn`t anything to do with my hands, I started wondering what I could do to correct her as it seemed to be an evasion.

I insisted on her softening her neck, standing straight, and relaxing her jaw before any upwards transitions, and I also changed her noseband from a flash to a grackle. I seemed to me that she needed to have a bit of pressure from the noseband slightly higher up her jaw because she just worked against the flash strap and subsequently has stretched it.

The next time I rode I fitted a grackle to her. The expression on her face was a picture. I warmed her up as normal and then started asking for some transitions. As she made the downward transition she tried to evade by gaping wide her mouth, only to feel pressure high up on her jaw. She immediately stopped, shocked, and halted for the first time in a relaxed way. After a moment I praised her and we set off again. All I worked on that day was the consistency of the transitions; I expected her to use her back, stay soft to the contact, stand as close to square as possible, and move off with an active hind leg. It seemed to really work with her, I think that because the pressure was higher up on her jaw it stopped the beginnings of the gape, which the flash hadn`t been able to.

Now that the progressive downward transitions were becoming more established I introduced some direct transitions. I`d already done a bit of work with direct upwards transitions to get her using her hindquarters, but now they felt a lot better because the initial starting position was much improved. I also found the direct downwards transitions improved her progressive downwards transitions as she became more balanced. With the evasion stopped she is less likely to tense her underneck muscles and stays much straighter – although it does have a lot to do with whatever is going on (blinkers next?!).

The grackle noseband is right for this mare, and hopefully she`ll continue to make progress in her way of going with it. It is not restrictive in any way, but seems to encourage her to stay relaxed and not to fight any rein aids.

It did make me think though, that there is a definite skill involved in knowing which pieces of tack will help you as a trainer improve and educate the horse rather than masking the problem. A lot of people put flash nosebands on horses to stop them opening their mouth, but in reality a horse could be opening his mouth for a multitude of other reasons – bit is too big, hands are too harsh, he is unbalanced, his teeth or mouth are sore – and a good trainer will consider all the other options or potential reasons before going for a quick-fix.


Stirrups Leathers

I see and get to experience a lot of tack – different styles, makes, quality and materials. Today’s blog post is all about stirrup leathers, and my humble opinion.

Plain, standard leather stirrup leathers are the ones we grew up with. They’re easy to punch extra holes in, and are usually easy to adjust the length because the holes are large and the buckles fairly chunky. They come in a good range of lengths – narrower children’s ones, long men’s leathers, and average ladies length. However, they are renowned for stretching. As a child I religiously removed my stirrup leathers and swapped them over when I cleaned my tack so they stretched evenly, and I just had to put extra holes in after a couple of years. Mounting from a block or not using the stirrup to mount is also a good way to minimise stretching, as well as being better for the horse’s back. The pairs that I bought for my ponies must have been good quality, they definitely had a good thickness of leather, because the stitching stayed in good condition for many years. Cheaper leathers tend to need restitching at the buckle sooner. One of my annoying habits when I help people mount, or indeed run down the stirrups for myself, is to check the stitching – I think that is due to being in charge of tack at a riding school. One of the main criticisms people tend to have of the bog standard stirrup leather is that they are bulky beneath the thigh, so reducing the close contact the rider has with the horse. Part of me rolls my eyes because the depth of the stirrup leather compared to the saddle you are sat in is unparalleled. Yes, a new leather will be a bit bulky, but they soon mould to the shape of the saddle and buckle. Personally I don’t notice a huge difference in them compared to other designs.

Calfskin leathers are the step up from Bog Standard Barry’s stirrup leathers, and are marketed as non stretch. They lie. They do stretch. Maybe not as much as plain leather leathers, but they still need the same alternating technique. These are stronger, so they tend to be a bit narrower, but I find them more bulky that plain leather. They are harder to punch holes in because most of them have some sort of internal webbing, and it’s harder to increase the size of the hole with the pin of the buckle if you were a bit mean with the hole punch. I think for that reason my leathers have strands of webbing peeking out of well used holes. Calfskin leathers are softer, for those sensitive calves, but can be stiffer to adjust, especially when shortening the leather length. I find I have to take my foot out of the stirrup and give a good pull to draw the buckle away from the stirrup bar – not very BHS, who advocate keeping your foot in your stirrup. Personally I have this type on both my saddles and am quite happy with them. Because they are a step up from the plain leather they look a bit more professional so give a better impression. Or so I like to think!

The next type of stirrup leathers I’ve come across a handful of times are a recent design, and feed off the criticisms of traditional leathers being bulky under the thigh. T-bar stirrups are so called close contact because there is only one piece of leather hanging from the stirrup bar, and the length is adjusted by your calf using a t-bar fastening. I used this type of stirrup leather a few months ago and I really wasn’t impressed. Before that I had wondered about them being my next leathers on my dressage saddle. Firstly, it’s not a case of simply running up or down your stirrup, you have to untwist the t-bar and put it either onto the top hole, or if you are running it down, onto your relevant hole. Logical if a different person rides every day, but for me it seemed like an effort. When riding I also found that the metal T either stabbed me in the calf or scratched the saddle, despite the little sleeve of leather I put over it. I also can’t say that I noticed it was less bulky under my thigh. As an aside, have you ever noticed how many dressage saddles are full of rolls to hold you in place yet people still choose stirrup leathers  5mm thick instead of 10mm?

The other problem I noticed with t-bar stirrups is that they are tricky to adjust. Forget about keeping your foot in the stirrup, with this design you have to lift the stirrup iron into your lap and drop your reins in order toslide and twist the leather to the correct length. So overall I wasn’t that impressed, but perhaps they’re more suited to individual riders who don’t change stirrup length mid-ride.

The bane of my life are synthetic stirrup leathers. They should be used with synthetic saddles so that the harder wearing leather doesn’t damage the saddle flap. However, especially with cheap ones, they are so unbelievably stiff and difficult to adjust I have been known to school without stirrups instead of changing the leathers. With true leather you can oil then to soften them, and when they get warm they mould to your shape. You can get webbing leathers which chaff your calf, but the holes are easily recognisable and used. Cheap synthetic ones tend to  break, or the outer covering deteriorate so the plastic scrapes your saddle and leg. They are getting better in quality as the years go on, but I would always recommend getting the most expensive you can afford if you have to have synthetic. I wouldn’t be able to recommend a make because I’m not satisfied with any that I would purchase and use.

I guess from all of this I ama trasitionalist, who likes a bit of quality! 

Poll Pressure

When I first started riding this horse I noticed that on the walk  home on hacks he would throw his head around. Not in a twitchy way, but throwing his whole neck around.

Initially I thought it might be because the horse was tired, or that I had him in a long and low frame and, with his long neck, his muscles were fatigued. 

But the behaviour continued in walking, some days worse than others, and I couldn’t put my finger on the cause. But as it didn’t improve on time I could cross fatigue off my list of causes.

I ran through my checklist

  1. Do his teeth need doing?
  2. Has his back been checked recently?
  3. Is his tack ok? Has it changed recently?

Everything was fine until I thought about his tack. 

The horse has a small head for his size, but has comparatively big ears. Don’t get me wrong, he doesn’t have donkey sized ears, but they are horse sized ears on a delicate head. 

He wears an ear bonnet, and one day as I tacked him up I realised that the bridle was quite tight around the base of his ears when he was also wearing his bonnet. He also had more sweat around the base of his ears after exercise. After discussing with his owner we decided to see how he behaved in walk without the bonnet to see if there was a pressure problem there.

He seemed to be more comfortable and stiller in his head and neck so we thought about ways to make him even more comfortable and reduce the pressure even further. I checked the rest of his bridle and the bit is the correct height in his mouth, and the grackle is not done up tight.

The simplest change to his bridle was to replace his plain headpiece with a cutaway design to free up the base of his ears. If the bridle still seems snug to his ears then perhaps using a full size browband instead of a cob size will stop the headpiece being encouraged forwards. 

I hope that once the new bridle moulds to his shape he will stop tossing his head, but we will see next week! 

Interestingly the same subject came up at the riding club committee meeting. One lady said that her horse is so sensitive around his head he needs a sheepskin pad under his noseband, which cannot be tight, and has a cutaway headpiece. Someone else there is looking to try a Micklem bridle on their horse for similar reasons. The penny also dropped for me when someone commented that “there’s a link between horses scratching their heads after being exercised and nerve pain”. The horse I ride always rubs his nose on his foreleg after I ride. However he’s also usually very sweaty so I don’t know the ratio of causative factors. 

I think in recent years equestrians have become more aware, as science develops, of the effect of tack on facial nerves. Reading the signs of discomfort in the horse and then choosing from the wide range of styles, sizes, designs that are available nowadays will only help the horse’s performance – it’s just a shame they can’t tell us where the pressure is because the mystery would be so much easier to solve!

Rainy Days at the Yard

This week we had one of those miserable wet days, when it never seems to get light. I wrapped up in my waterproofs, and managed to hack Otis is the dry, but then I might as well have gone swimming with my next two mounts! Amazingly, it stopped raining so I took the opportunity to change (keep a change in my car) and then at least I was dry and warm (ish) to teach my lunchtime lessons. At home for a late lunch I didn`t solicit going back outside for the evening`s lessons – and was even less impressed when I was soggy again!

Anyway, it made me reminisce about rainy days at the yard when I was growing up.

It always looked deserted on wet days; lessons were out of sight in the indoor arena, the outdoor arena was empty. In the early days a large puddle was developing in the F-A corner, with a smaller one near V. On really wet days a channel would develop, with a waterfall from the step into the arena and down the track towards the yard. The yard was deserted, with people dashing from building to building, and all the ponies hiding in the stables, back stalls or sheepshed; heads buried in haynets, rugs over them. Us girls usually declined to ride, and either took residence in the tea room – sharing the squishy arm chairs, or crowded along the work surface, legs dangling down amongst abandoned wellies and sleeping dogs, and the door pushed to. The rest of us hid in the tack room; door firmly shut, sitting on our closed tin trunks (often with bum shaped dips in the lids) around the walls, and our tack in various stages of dismemberment; sharing the slithers of saddle soap and crusts of sponges, cursing when we lost bits into the murky lukewarm buckets of water.

It was days like this that we grew close. We had the typical teenage girl conversations, which was both an eye opener and educational for the younger of us. We laughed as we  discussed a medley of topics, retold stories of past helpers and ponies, and gossiped about school, house parties, and boys.

In many ways we would look forwards to rainy days, because of the friendship aspect. But as soon as it stopped raining we used to dash outside to enjoy the freshly washed world; run up the field, or turn out the horses, or sweep the yard leaving straight lines akin to a mown lawn from the adverts.

mel and katie

Putting Bridles Back Together

On Thursday I went into the BHS tent at Windsor Show to find out about their replacement Register of Instructors, which I`ve typically just renewed but that’s another story. Anyway, I saw an interesting competition they were running.

Akin to Top Gear`s celebrity racers, there was a tall board with names and times written on. Who could put the bridle together the quickest?

Tonight I was cleaning my tack. One of my favourite evening pastimes. I strip cleaned the bridle and oiled it, and then I had a lightbulb moment! Why don`t we have some fun, and see how quickly everyone can put their bridle together?

I had cleaned my jump tack, so I put the breastplate aside as many people won`t have one. The rest of the bridle consists of a snaffle and a grackle noseband, but I don’t think nosebands influence putting it together that much. Don`t forget the reins too. Oh, and it`s also a traditional style bridle with the noseband running underneath the headpiece, rather than buckling up on both sides of the headpiece.

So there I sat, on the floor with the leatherwork out in front of my on a saddlecloth, and asked the non-horsey other half to time me.

My time, wait for it, was 2 minutes 4.32 seconds. Not overly fast, as I don`t think oiling my tack helped my cause, but I challenge you to beat me – comment with your time below. The bridle needs to be put together correctly; no twisted leather or backwards bits, and buckles on the correct hole in all the keepers – otherwise start again!

Oh, and you may as well clean your bridle while you`re at it!